Sexual Assault and Identity Revised, Part 2: Identity Subversion

This is a continuation of my last post. Here I will be examining more in-depth the situations introduced there. Again, I begin with a trigger warning. In this post I recount graphic jokes involving sexual assault and rape that will be dissected for their unintentional contribution to a discussion on how people subvert parts of their identities to better help communities of which they are a part, and some structural fixes to help survivors of sexual assault.

I pass no judgement about the experiences of those talked about in this piece; they were all put into an impossible situation and did what they thought was best at the time. I cannot fathom what I would do in that situation.

The first situation Kathrine Ryan addresses discusses actors who were relatively unknown (here meaning not famous), black, and female, in the context of their sexual assault by a famous, black, male actor, Bill Cosby. These assaults occurred in the 80s and 90s, a time when sexual assault victims were less likely to be believed. Because they were rarely believed, many did not report, and the two phenomena were in a feedback loop. drastically aggravating each other.

In this situation, multiple identities are at issue, and some were subverted for the benefit of others. Bill Cosby exerting his power over women ties into his identities as both famous and male, while the sexual assault he inflicts ties into the survivor's identities as unknown actors and as women. Additionally, these women said that they did not want to hinder Cosby's career because he was paving a way for black actors. These women essentially saw their identities as women as being at odds with their black identities. So, they subverted their identities as women to better serve their other identities, to benefit other constituencies. These victims did not want to feel like they were betraying the black community. That became a factor in them deciding not to report. Another prominent factor was the time the women were living in.

The second situation Kathrine Ryan addresses is an imaginary one that involves herself, a comedian who is famous, white, and female, and Tina Fey and Amy Schumer, two comedians who are both white, female, and arguably much more famous than Katherine. Fey and Schumer have also likely trailblazed the way for more women to be invited into comedic community.

This situation does not have the same race implications as the first situation, and also does not feature a subversion of identity. But, Ryan, albeit jokingly, says that she would keep quiet about a sexual assault by one of these women because of all they have done and are doing for women. In her hypothetical, she still seems willing to subvert her individual trauma for the betterment of her community, which is here aspiring female comics.

The last assault involves Kesha, a musician who is a white woman, and the trauma she experienced at the hands of Doctor Luke, a music producer who is white and a man. While this is mentioned only in passing (“Free Kesha”), it evokes a well-documented assault and legal fight involving Kesha and Dr. Luke. Kesha’s incident is completely different from the first two for two reasons.

First, Kesha reported her assault, in contrast to the first two situations I have described. Kesha even and even sued Dr. Luke for the harm he had caused her.

Second, Kesha was willing to give up her music career in order to get justice for her assault. She was willing to subvert her identity, her career, as a musician in order to try, with no guarantee, to get justice for the sexual assault she experienced because she was a woman. She was willing to subvert her needs as a musician to seek justice. This is the only situation where the assaulted survivor gave her identity as a woman primacy over her other identities.

So, what can we learn from this thought experiment? No one should be forced to choose between parts of their identity. We as a society should be doing everything in our power to remove the barriers to reporting sexual assault. If we do that, women will not be forced to subvert their needs to help others, for some apparent greater good. Two possible solutions could help.

First, in the first and second situations, better racial and gender representation on television would have given the attackers less power. In the first situation, if Bill Cosby had not been one of only a handful of black actors on television, his career and reputation would not have been as important to the black community. In the second situation, if the dearth of female-driven comedies and writer’s rooms did not exist, Kathrine would not have felt the need to make the joke about her not to be willing to report her imaginary sexual assault. Both instances show the real-world impact of diversity in media. The more diverse we make television and entertainment industries more broadly, the less power those in that industry wield.

Second, in the first and second situations, social stigma was cited as a barrier for survivors deciding not not to report. We can remove this barrier by believing survivors when they come forward. This would lessen the stigma surrounding the experience of surviving a sexual assault, and that would surely empower survivors.

If we look at both these issues, the first being cultural and the second being structural, then we can make it less likely sexual assault will occur. When it does occur, we will have made it easier for survivors of sexual assault to report their assault and get justice.